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Because of the impact made by Dark Side of the Moon, the prism became synonymous with Pink Floyd, and that psychedelic image is likely to pop into your head whenever you think about them. He does place emphasis on the triangle as a symbol of thought and ambition, and relates it to the themes present in Waters’ lyrics. Storm explains that while he had heard some of the album prior to making the art, he was in fact not inspired directly by the music while making the design. According to a 2010 interview with Rolling Stone, Storm Thorgerson was inspired by the light show that the band had been producing at their concerts at the time. While all the speculation is interesting and a true mark of the impact of Dark Side of the Moon on society as a whole, the truth is that the album cover was not made with a specific deep meaning in mind. The heartbeat passing through the middle of the record represents a human thread running through it all, with emotions and struggles that are contained within this life cycle. The continuation of the design on the back is said to represent the cyclical nature of life. Fans discuss how the white beam of light passing through the triangle represents the start of life, and the rainbow beam represents all the paths and influences one may take during their lifetime. Much of the speculation about the Pink Floyd triangle symbol boils down to meanings that parallel some of the themes explored in the music.
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The band’s name is not included anywhere on the design, a deliberate choice and one that has proven to be genius over the span of time. When you flip the record open, the rainbow beam spans across the entire inside cover, with a green heartbeat pattern over top of it. Set to a black background, the prism was also mirrored on the back cover giving the effect of a consistent beam of light that never ends. The final front cover design features a triangular prism, with a beam of light passing through from the left side, resulting on a rainbow beam shooting out of the right side. He showed the photograph to Powell, and then the idea was presented to the band, and they chose it among several other options presented (there was even a design featuring the Silver Surfer). Thorgerson recalls seeing a photograph of a prism with a beam of light passing through it in a physics text book, and that got the wheels turning.
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During these sessions, the pair would stay up until around 4am discussing creative ideas, taking full advantage of the eerie quiet and sleep-deprived mindset to come up with things they would never be able to think about at breakfast. The band themselves neglected to provide a meaning, preferring rather to let the fans speculate amongst themselves.Īccording to Mark Blake’s book Comfortably Numb: The Inside Story of Pink Floyd, the initial idea for the prism was born out of a late night brainstorming session between Thorgorson and Powell. The Dark Side of the Moon album cover was the one that truly made Hipgnosis famous, though, and the meaning of that prism has been debated far and wide ever since the day of the album’s release. Thorgerson and Powell are most well-known for their extensive work with Pink Floyd, but the pair also designed many other famous album covers, including Led Zeppelin’s Houses of the Holy and more. The logo was designed by the famed graphic designer Storm Thorgerson, in collaboration with Aubrey Powell for their company Hipgnosis.